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Ludmilla
entered this country as a political refugee with no possessions,
not speaking English, and having only her own wits and talent.
It has taken many years to master the language, but even
more daunting is the challenge of understanding the system.
Back in Russia, she had her choice of performance venues
in a culture that honored art and music. In America, when
she says, "I'm a musician," the response is usually, "Well,
what do you do to make a living?"
Ludmilla
applied her skills by working with various ballet companies,
playing for corporate parties in piano bars and restaurants,
teaching and composing. She wrote and produced a musical
play, and put together a nightclub act called "Black Russian"
with the British pop star Linda Lewis.
Performing
in a variety of styles and venues-original-song showcases,
tango shows, Victor-Borge-style cabaret, and evenings of
classical music interwoven with jazz, blues and pop tunes-she
attracted the attention of diverse audiences: from John
Kerry and Gerald Ford to French art festivals, the Moscow
circus, a Japanese recording company .and ultimately, she
began fulfilling her dream by recording her own music and
lyrics, gaining international recognition.
Listening
to Ludmilla will take you down a path that shares musical
styles and multi-cultural experiences. By blending East
and West, new and old, classical and jazz, she creates her
own signature style.
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